3D EssentialsAutodesk Maya

Getting to know the industry
• History of the VFX and Gaming industry.
• Current affairs and trends in the VFX and Gaming industry.
• The future of computer graphics.

Getting to know the Autodesk Maya 
• History of the Maya software.
• Industry fields in which it is used and why.
• Basic concepts of working in Maya.

Maya interface I
• Basic components of the interface.
• Navigating the Maya interface.
• Use of masks for selection.
• Transform tools.
• Snap tools.

Maya interface II
• Editors in Maya (Outliner, Attribute Editor).
• Paranting and hierarchy.
• Duplicate command.

Basics of poly modeling I
• Approaching the problem of modeling.
• Getting acquainted with polygon geometry.
• Poly components.
• Basic tools for poly modeling (Create Polygon Tool, Merge Vertices).

Basics of poly modeling II
• Advanced tools for poly modeling.
• Understanding the term good geometry.

Basics of poly modeling III
• Techniques for model optimization.
• Testing technical defects of a model.
• Applying deformers in modeling.

Basics of poly modeling IV
• Applying advance techniques in modeling.

Custom user interface
• Advantages of adjusting a custom UI.
• Methods of increasing comfort and speed of work.
• Creating a shelf.
• Creating a marking menu.
• Creating custom hot keys.

Digital camera & Camera tracking
• How a practical camera works.
• Differences between a camera in Maya and a practical camera.
• Application in the industry.

Basics of rigging
• A look at the most common techniques.
• Using rigging techniques in your every day work.

Basics of dynamics
• Fundamentals of NCloth.
• Usage of Dynamics in modeling.

UV mapping I
• Theory of UV-ing, purpose and examples of good and bad UVs.
• Why having a good UV is essential for further production.
• Difference between VFX asset and game asset (UDIM vs game vs environment).
• Demonstration of the UV toolkit inside Maya.
• Other applications for UV-ing.

UV mapping II
• Demonstration of creating UVs for a VFX asset (UDIM).
• Demonstration of creating UVs for a game asset (as well as UV environment kits).

Texturing in Adobe Substance 3D Painter I – Introduction to Adobe Substance 3D Painter and PBR
• For what it is used and why.
• Introduction to the interface and its tools.
• What is PBR?
• PBR components.

Texturing in Adobe Substance 3D Painter II – Basics of Adobe Substance 3D Painter I
• Creating materials, creating masks.

Texturing in Adobe Substance 3D Painter III – Basics of Adobe Substance 3D Painter II
• Application of other tools (Brushes, Projections, Text, Anchor Point…).

Texturing in Adobe Substance 3D Painter IV – UDIM
• What is UDIM?
• UDIM Workflow.
• Industry examples.
• A practical example of UDIM.

Texturing in Adobe Substance 3D Painter V – Work in Production
• Preparation for production.
• Tips and Tricks.
• Common mistakes.

VFX and Game production (VFX and Game pipeline)
• Project management.
• Work ethic.
• Approaching work with the goal of achieving the best possible results.
• Interpersonal relations in the workplace.

Upon completion of the course, students will receive the internationally recognized Autodesk Certificate of Completion, as well as the Crater Training Center Certificate.

Milos Jovanovic
Freelance Character Rigger and 3D Generalist

One of our most experienced lecturers, Miloš Jovanović, is a 3D Generalist and a Maya expert with vast experience in rigging, animating, and rendering at Crater Studio. Challenges are his natural habitat, as he is constantly exploring new software. Familiar with both studio and freelance work environments, he shares his experience with the students and provides them guidance through all the stages of building a career in the VFX industry. As a team player, he enjoys getting the best out of people and helping them develop their skills. In the 3D Essentials course, he teaches hard surface modeling.

Branislav Pavlović
Environment Artist @ LAV Games

Following his passion for video games and asset development, Branislav has left the mark in the AAA industry both as a Weapon and Level Artist. He has worked on several major projects, including the well-known Tom Clancy Ghost Recon Breakpoint franchise. He is currently working as an Environment Artist at LAV Games, where he is constantly developing new skills in creating video game environments. As a video game enthusiast, Branislav enjoys sharing his knowledge as a lecturer on 3D Essentials and Environment Art courses at the Crater Training Center.